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Panel to Unwrap Images of War
-- from Iraq and the Homefront

by Fred Blevens

 

David Leeson, a Dallas Morning News photographer and co-winner of the 2004 Pultizer Prize for breaking news photography, will headline a Newspaper Division PF&R panel titled "Messages Wrapped in a Flag: The News Media and the Images of War and Patriotism."

 

Leeson, a Morning News senior staff photographer since 1984, has been a Pulitzer finalist twice. He shared the 2004 prize with Cheryl Diaz Meyer. The Pulitzer Committee commended Leeson and Meyer for making "eloquent photographs depicting both the violence and poignancy of the war with Iraq."

 

The session, scheduled 5-6:30 p.m. on Friday, August 6, includes C. Zoe Smith, Missouri; Carolyn Kitch, Temple; and Michael Sweeney, Utah State. The moderator is Fred Blevens, Oklahoma.

 

Since the 9-11 terrorist attacks and the subsequent war in Iraq, journalists have grappled with challenges to the traditional values of fair, balanced and dispassionate reporting. The purpose of the "Messages Wrapped in a Flag" panel is to examine the struggle with the images of war -- those from the battlefield and those on the home front.

 

During the past year, the patriotic post-9/11 images have turned from stark and emotional, promoting unity and patriotism, to gruesome and horrific pictures, intensifying the apprehension and anxiety of war. In rapid succession, Americans were exposed to photos of flag-draped coffins, the beheading of an American contractor in Iraq, and the brutal behavior of American prison guards in Iraq. These followed by two years the still and moving pictures of World Trade Center victims jumping to death, the comparative photos of the before-and-after cityscape, the flag-draped coffins of fallen firefighters.

 

What effects are these and other images related to terrorism and war likely to have on our collective memory and how do they frame the thinkable and unthinkable? How does this digitized version of war compare visually with others over time? What is the government's role and interest in maintaining control over the images of war and terrorism? Are the fundamental issues -- moral, legal, political -- the same now as during Vietnam, the world wars, the Civil War?

 

Other Panels, Wednesday, Thursday and Friday